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Artistic research in 1900 opens with “Fauvism”, an explosive current emphasizing painterly qualities and strong colour over the representational or realistic values retained by Impressionism, of which Matisse became a leader.
It was only the beginning of the rejection by the artists of the contemporary society’s greyness and which led to the chromatic paradoxes of Futurism, Dadaism, the various forms of abstract art and informal painting.
The colour avant-garde didn’t stop at the museums or the art galleries: in what can be defined as some sort of cultural fall out it spread to the production world, to then find its ideal home in the fashion world.
Within the fashion world, the colour’s favourite niche is in fact the tie.
