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At the beginning of the 1900s this tendency found a home with the artistic avant-garde (in Italy, Futurism), and between the two world wars it was incarnated specifically in Bauhaus, the school of applied arts directed by Walter Gropius first in Weimar and then in Dessau.
The first workshop opened was for textiles, and its program also included a dye house, on the basis of experimentation and the connection of “form-color-material”.
Alongside this still very avant-garde movement, geometric patterns and sharp chromatism were the dominant signature of the fashion of this time, before the dark and militaristic rigor of the totalitarian regimes sanctified the temporary “return to order” of the 1930s.
