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Cinema

HOLLYWOOD

THE GLOBE STORY/6 During this period, the general interest magazines really came into vogue. These were the days of COLLIERS, THE AMERICAN MAGAZINE, CORONET, CLICK, PIC, FOCUS, EYE and SEE. The market for picture stories of all kinds reached a peak and no features were more in demand than those …

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FEDERICO FELLINI/5

The two main characters, mentally ill patients and former residents of an asylum which no longer exists, are no crazier than the sane: in our backwards world, wherein reality has been thwarted, human or televised delusion is the only collective language. The author (as took place in La dolce vita) …

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HOLLYWOOD

  THE GLOBE HISTORY/5 Throughout the 1940s human interest features were regularly published in both LIFE and LOOK and Globe became a prime supplier of this kind of story. Globe was represented in the very first issue of LIFE with a layout of a man-eating tiger devouring an Indian. Is …

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FEDERICO FELLINI/4

  Urban , overpopulated Italy invaded by cars, stupidity, television antennas, African immigrants, Japanese tourists, commerce and vulgarity, authority, noise and cruelty. The narration then proceeds across two levels, in a dizzying multiplication of di-realisation: to one side – the reality-unreality of what is happening; to the other side – …

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HOLLYWOOD

  THE GLOBE STORY/4   When LIFE and LOOK started publication, a new era opened up for editorial photography. Photographs dominated the pages that had once been the exclusive turf of text. To help fill their pages LIFE put Globe Photos under contract for first refusal on its uncommitted pictures. …

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