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If he hadn’t been a director, Federico Fellini would perhaps have been a designer, painter.
Or even a writer.
He was really good at writing, in a style rich with unexpected everyday references, with stories, with splendid and fascinating images, of memories.
He wrote naturally, and always: even in his directions for his employees or the producer, in his personal observations presented in order to clarify even to himself his own intentions, in the notes in his journal, in the scenes worked or re-worked in the night and delivered to the crew or the actors the next morning jut before the shoot.
