The explosion, then, was the occasion for a debate that brought to light two crucial points of the contemporary fashion system: the first being the need to produce ever better-quality fashion items, downright artifacts that contain Italian craftsmanship and excellence. The second is the urgency to find curators, that is, those able to choose, select and propose the best of that seen at exhibitions and fashion shows, however, able to translate this patrimony into images and text conceived for new platforms of virtual and interactive information.
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