La cravatta dei gentiluomini, a cavallo del Settecento e dell’Ottocento, altro non era che una striscia di mussolina passata un paio di volte attorno al collo e annodata, in questo caso, con un papillon.

Between eighteenth and nineteenth centuries the gentlemen’s tie was nothing more than a muslin strip wrapped around the neck several times and tied, in this particular case into a bow.

From high fashion to department stores. It doesn’t matter whether they are green or patterned as long as they are made of rubber. The latest myth –The very symbol of “cold autumn”, when you tighten your belt and step out the door with a smile on your face. The Elegant …

Attorno al telaio gli antichi sapevano tessere miti straordinari: Penelope, che nell’interminabile attesa di Ulisse di giorno tesseva e di notte disfaceva, e le Parche, cui era affidata la tessitura (e il taglio) del filo fatale degli uomini. Non meno “fatale” è nella cravatta la tessitura: decide il successo del …

Extraordinary myths were “weaved” around the loom by the ancients. Penelope, whom, during the interminable wait for Ulysses, weaved during the day to then undo it during the night and the Fates who controlled the metaphorical fatal thread of life of every mortal and immortal from birth to death. Equally …